18 May 2020, 12:00 am
Tic-Tac-Toe
Programme Type
Films and Exhibitions

An exhibition of illustrations by Ankur Ahuja from Delhi
A collection of portraits of people on the streets of Delhi that engages with the idea of the new ‘normal’ 

Delhi, like everywhere else, is socialising at an arm’s distance. 

New routines, new protocols, new words, old words their meanings stretched to menacing portents. Isolation, lockdown, essentials, quarantine, community, charity, empathy, even Normal is the New Normal. People watching has never been more sinister. It sounds like a close cousin of surveillance- watching them watching me. Observing people has been the fundamental bedrock of my daily practice. 

These days I watch them from behind glass doors, windows, and through the CCTV camera outside my house. People walking in bubbles of suspicion and fear, sheltering behind masks, or sheer dupattas wrapped around their faces, hurrying on and hurrying back. Caught between the compulsion to stay indoors and the need to get out, playing the Tic -Tac -Toe of social distancing inside chalk circles at the grocery store - scared, suspicious faces plotting and strategising every move. Take the centre or the corner. Occupy, block and fork effectively. Stand at approximate safe distance from others. 

I see an old couple wearing starched white masks once in two days going for their groceries. I see two old men, one swaddled in a large handkerchief and the other in a tight black mask that’s often embracing the chin like a long-lost lover. Their body language betrays fear and anxiety. I see young people sauntering back sweating from a run, mask in hand, exuding confidence and a certain ‘अबे कुछ नहीं होगा!’; people pulling the mask down to spit in the corner, carefully; delivery boys, scared but trudging on, one of the few jobs still available. Every once in a while, the gust of wind catches strains of Mahabharata or an aggressive News Anchor. 

Everyday, we hope that things will soon go back to the way they used to be and we can step out of the house, and walk wherever the breeze takes us. Until then, to borrow a metaphor from the philosopher Simon Critchley, we will all be adrift in our ghost ships.

This exhibition is a compilation of lockdown portraits of people on the streets of Delhi with some Pre- Pandemic illustrations for reference of the old Normal. 

Prints of the presented works are for sale and the artist can be contacted for price and size at ahuja.ankur@gmail.com 

     
Delhi based cinematographer, Ankur Ahuja is a self-taught artist. 
Her work lies in the overlap between photography, cinematography, filmmaking and Illustration, deriving its best inspiration from the heart of visual documentation. It reflects upon the ironies of human existence and the mundane nature of life. It’s a chronicle of sociopolitical and cultural aspects of daily life. For the last few years she has been documenting Delhi through portraits of people on the streets. Part of that work was exhibited and sold at Goa Affordable Art Fest 2020.

She has been published as a writer and artist in the Graphic Anthology This Side That Side: Restorying Partition. Her story was well received and appreciated in publications such as Tehelka, Himal, and Dawn. 

She also helped gestate Delhi Comic Arts Festival as Production Manager of the festival that brings together artists working with graphic novelists around the world together under one roof for exhibitions, talks, and interactions.