With his singular and unwavering style, Japanese director Yasujiro Ozu (1903-1963) disregarded the established rules of cinema and created a visual language all his own. Precise compositions, contemplative pacing, low camera angles, and elliptical storytelling are just some of the signature techniques the great filmmaker used to evoke a sense of melancholy and poetry in everyday existence. The three films that Ozu made between 1949 and 1953 constitute his most enduring achievement. Dubbed the “Noriko Trilogy” after the name of the female protagonist in all three films, the films (Late Spring, Early Summer, Tokyo Story) co-star the two most familiar members of Ozu’s longstanding stock company: Chishu Ryu (1904–1993), the director’s favourite actor; and Setsuko Hara (1920–2015), who plays Noriko in all three parts of the trilogy. 

Tokyo Story (Tokyo Monogatari/Japan)| (134 min;1953; b&w; Japanese/ English subtitles)|( Click here to watch )
Directed by Yasujiro Ozu 
With Setsuko Hara and Chishu Ryu

A profoundly stirring evocation of elemental humanity and universal heartbreak, Tokyo Story is the crowning achievement of the unparalleled Yasujiro Ozu. The film, which follows an aging couple’s journey to visit their grown children in bustling postwar Tokyo, surveys the rich and complex world of family life with the director’s customary delicacy and incisive perspective on social mores. Featuring lovely performances from Ozu regulars Chishu Ryu and Setsuko Hara, Tokyo Story plumbs and deepens the director’s recurring theme of generational conflict, creating what is without question one of cinema’s mightiest masterpieces.