Discover the renewed digital presence of India International Centre - designed for deeper engagement and seamless access.

The Big Picture 2025

The Big Picture 2025
An exhibition of works of Photo Journalists

The exhibition presents the 7th public exhibition showcasing powerful images by 69 photojournalists from across India. The exhibition reflects photojournalism’s role in documenting history, balancing authenticity with evolving technologies, and capturing candid moments that reveal the depth, diversity, and immediacy of life. 
Participating photojournalists: Abhishek Pande, Abhisek Saha, Ajay Bedi, Anindya Chattopadhyay, Atul Yaday, Bunny Smith, D Ravinder Reddy, Dheeraj Paul, Dhruv Kumar, Dilip Banerjee, Girish Srivastav, G.N. Jha, Ganesh Shetkar, Gurinder Osan, Harish Tyagi, Hrishikesh Bhatt, Imtiaz Khan, Indraneel Sen, K. Asif, Kamal Kishore, Kamal Narang, Madhu Kaparath, Mahadev Rao, Manish Swaroop, Manvendra Vashist Lav, Mihir Singh, Mukesh Aggarwal, Mukesh Gupta, Mukesh Yadav, Narendra Bisht, Naveen Sharma, Neeraj Paul, Neeraj Priyadarshi, Nitin Rai, Pallava Bagla, Piyal Bhattacharya, Pooja Arya, Prabhas Roy, Pramod Pushkarna, Prashant Panjiar, Pritam Bandyopadhyay, Raghu Rai, Rajat Gupta, Rajesh Bedi, Ramana T.V., Ranjan Basu, Renuka Puri, S.N. Sinha, Sanjay Kumar, Sipra Das, Shome Basu, Sondeep Shankar, Sonu Mehta, Subir Haldar, Subrata Dutta, Sujan Singh, T. Narayan, V. Rajagopalan, V.S. Vijay Bhaskar Rao, Vijay Bedi, and Vipin Kumar.

Inauguration on 20 December at 11:30 hrs by Vijender Gupta, Speaker Delhi Assembly

As part of the exhibition, there will be a workshop on Photography and AI on 24 December in Conference Room-I at 18:00 hrs

 

(Collaboration: All India Working News Cameramen’s Association (WNCA)
 

 

Heads and Tails

Heads and Tails
New Watercolours and Drawings
By Golak Khandual
This exhibition brings together intimate portraits of real and imagined people—friends, family, workers, and characters shaped by the artist’s encounters. Drawing from life and memory, the works explore shifting identities and the masks we wear, revealing how reality and imagination continually blur.

Golak Khandual is an architect and artist whose three-decade practice blends drawing, ecology, and community-focused architecture. His work includes landmark projects like Rao Jodha Desert Rock Park and Kishanbagh Sand Dunes.

Inauguration of the exhibition on 4 December at 18:30  


 

EXHIBITION - Guru Conference: Atiśa Dīpaṃkara Śrījñāna

An exhibition celebrating the legacy of twelfth-century Buddhist philosopher Atīśa Dīpaṃkara, through relics from Dzongkar Choede Monastery, Karnataka; photographs tracing his journeys curated by Prof. Shashibala, Dean, K.M. Munshi Centre for Indology, Bharatiya Vidya Bhavan; and manuscripts of his works from the Dharmarajika Bouddha Kristi Prachar Sangha, Bangladesh.

Inauguration on Friday 21st at 11:00
 

THE IIC EXPERIENCE: A FESTIVAL OF THE ARTS – 10TH TO 14TH OCTOBER 2025

A Star named Arundhati
 

This centenary exhibition celebrates the life and legacy of Arundhati Devi (1924–1990), a multifaceted figure in Bengali cinema—actress, director, producer, singer, and writer, whose career spanned four decades. Drawing from rare family archives and private collections in Kolkata, the exhibition presents an intimate portrait of her world through photographs, diaries and other film memorabilia. 
Curated by Mrinalini Vasudevan and Tapati Guha-Thakurta

Inauguration by Shri Ashwajit Singh, Trustee on 11th October 2025 at 11:30

Special Invitees: Professor Kaushik Bhowmick, Department of Film Studies, School of Arts and Aesthetics, JNU; and Professor Bishnupriya Dutt, Department of Performance Studies, School of Arts and Aesthetics, JNU


 

Weaving Water: Feminine Countercultures in Paint and Print


Weaving Water: Feminine Countercultures in Paint and Print 
Curated by Jyoti A Kathpalia  

Participating Author:  Ajeet Cour 
Participating artists: Anupam Sud, Aparna Anand Singh, Aradhna Tandon, Arpana Caur, Bula Bhattacharya, Durga Kainthola, Gogi Saroj Pal, Hemavathy Guha, Jayasri Burman, Kanchan Chander, Manmeet Devgun, Nitasha Jaini, Shivani Aggarwal, Shubhika Lal, Vasudha Thozhur

This exhibition explores the weaving of text and art focussing on how eminent women artists engage with their lived experiences their struggles and societal oppression. Anchored in Ajeet Cour’s autobiography Weaving Water: An Autobiography, the exhibition brings these narratives into dialogue with the visual expressions of leading women artists of India.

Inauguration on 30 October at 17:00 hrs


 

Naqsh…………. the imprint

An Exhibition on Architectural Epigraphy of Kashmir (14th -19th CE)

This exhibition showcases the surviving heritage of architectural epigraphy in Kashmir from the 14th to 19th centuries, tracing its evolution from the Sultanate period to later Afghan and Sikh rule. Featuring inscriptions in Persian, Arabic, and rare Sanskrit, it highlights the region’s rich calligraphic traditions, their cultural significance, and their role in shaping a distinct Persianate landscape. Drawn from a detailed documentation project, the display preserves what remains of this unique fusion of art, language, and architecture.

The detailed documentation, study and translation of architectural epigraphic material in Kashmir was undertaken by Sameer Hamdani, Mehran Qureshi, Tabish Haider Gazi, Umar Farooq, Zoya Mehraj Khan, Ta-Ha Mughal

Preview on 16th September at 18:30 hrs

 

Naqsh…………. the imprint

An Exhibition on Architectural Epigraphy of Kashmir (14th -19th CE)

This exhibition showcases the surviving heritage of architectural epigraphy in Kashmir from the 14th to 19th centuries, tracing its evolution from the Sultanate period to later Afghan and Sikh rule. Featuring inscriptions in Persian, Arabic, and rare Sanskrit, it highlights the region’s rich calligraphic traditions, their cultural significance, and their role in shaping a distinct Persianate landscape. Drawn from a detailed documentation project, the display preserves what remains of this unique fusion of art, language, and architecture.

The detailed documentation, study and translation of architectural epigraphic material in Kashmir was undertaken by Sameer Hamdani, Mehran Qureshi, Tabish Haider Gazi, Umar Farooq, Zoya Mehraj Khan and Ta-Ha Mughal

Preview on 16th September at 18:30 hrs

The exhibition will be on view till 28th September from 11:00 to 19:00 hrs.

Naqsh…………. the imprint

An Exhibition on Architectural Epigraphy of Kashmir (14th -19th CE)

This exhibition showcases the surviving heritage of architectural epigraphy in Kashmir from the 14th to 19th centuries, tracing its evolution from the Sultanate period to later Afghan and Sikh rule. Featuring inscriptions in Persian, Arabic, and rare Sanskrit, it highlights the region’s rich calligraphic traditions, their cultural significance, and their role in shaping a distinct Persianate landscape. Drawn from a detailed documentation project, the display preserves what remains of this unique fusion of art, language, and architecture.

The detailed documentation, study and translation of architectural epigraphic material in Kashmir was undertaken by Sameer Hamdani, Mehran Qureshi, Tabish Haider Gazi, Umar Farooq, and Zoya Mehraj Khan.

Preview on 16th September at 18:30 hrs

The exhibition will be on view till 28th September from 11:00 to 19:00 hrs.

The Mathematical Sciences: South Asia’s Contributions

Exhibition Inauguration at Main Art Gallery, Kamaladevi Complex on 4th Sept at 18:30 Hrs

Chief Guest: Dr S. Jaishankar, Hon. Minister of External Affairs, Govt. of India

Welcome Remarks: Shri Shyam Saran, President, IIC

Exhibition Walkthrough: Dr Sudha Gopalakrishnan, Project Director, SAMHiTA and Prof. K. Ramasubramanian, Conference Convenor

Vote of Thanks: Shri K.N. Shrivastava, Director, IIC

The exhibition will be on view till Sunday, 14th September from 11:00 to 19:00 hrs

This exhibition traces India’s (and broadly South Asia’s) contribution to global mathematics through its historical development, theories and practices, contextualization through lineages, and exchanges and recontextualization through time and space. To understand this multi-layered discipline, the exhibition displays reproductions of manuscripts of works from the Vedic period to the early modern era, including treatises, explanatory commentaries and manuals.

(Collaboration: IIC-International Research Division and Centre for Traditional Indian Knowledge Systems and Skills, IIT Bombay)

Hamaara Itihaas Archives of Freedom Fighters

An international archive highlighting oral testimonies of India's freedom fighters from across the world; Hamaara Itihaas features photographs, documents, audio clips and the film, 'Asli Azaadi'. The work, ongoing since 1995, places a special focus on women freedom fighters.

Curated by writer and filmmaker Sagari Chhabra, Founder-Director of the archive, who will conduct daily walkthroughs at 17:30.

 

 

Subscribe to Art Gallery, Kamaladevi Complex, IIC