PLAY

14 December 2020, 12:00 am
PLAY
Programme Type
Cultural

Betrayed by Hope (Episode II)

Dramatic reading of the play by Namita Gokhale and Malashri Lal
 
‘Delhi Bengali’, Oroon Das and Canada-based ‘Bangladeshi Bengali’, Inji Zayba Zaheer explore the early origins of modern Bengali identity through the life of poet extraordinaire, Michael Madhusudan Dutt and his journey from alienation to a return to selfhood
 
Video recording of a performance for IIC online programmes

Focus Japan

14 December 2020, 12:00 am
Focus Japan
Programme Type
Films and Exhibitions

  Screening of NHK documentary films on Japan’s history, literature, art, culture and heritage. Organised with the support of NHK World and Embassy of Japan, New Delhi

 Ogawa Jihei Gardens | (28 min; 2020; English and with subtitles)
 
From the late 1800's to the early 1900's, dominant political and business figures owned villas in neighbourhoods at the foot of the Higashiyama mountains flanking the eastern part of Kyoto. Many of their gardens were built by the pioneer of modern Japanese garden, Ogawa Jihei VII. Rather than bending the style of European gardens to Japanese tastes, or blending foreign and domestic styles, Ogawa’s gardens were firmly grounded in Japanese landscaping traditions, which he evolved to fit the lifestyles of those who were driving the country’s rapid social and technological change.
     

Book Discussion Group

14 December 2020, 04:00 pm
Book Discussion Group
Programme Type
Discussions, Webcasts

The Awasthis of Aamnagri

By Shubha Sarma (Niyogi Books India: New Delhi, 2020)

 Discussants: Prof. Malashri Lal, writer and academic, former Dean of Colleges, University of Delhi; Prof. Madhu Khanna, Tagore, National Fellow and former Director, Centre for the Study of Comparative Religions and Civilizations, Jamia Millia Islamia; and Ms Shubha Sarma, Commissioner & Secretary, Handloom, Textiles & Handicrafts Dept., Govt. of Odisha and author of the book

Chair: Dr. Ajay Mathur, Director General, The Energy & Resources Institute (TERI)

 

Folk and Tribal Art of India

07 December 2020, 12:00 am
Folk and Tribal Art of India
Programme Type
Films and Exhibitions

An exhibition of Gond paintings; Kalighat patuas; Kalamkari; Madhubani paintings; Mata-ni-Pachedi paintings on cloth; Pichwai paintings; Theyyam masks; and Warli paintings 

Artists: Rajendra Kumar Shyam, Santosh Shyam Moti, Manoj Tekkam (Gond); Shanwar Chitrakar (Kalighat); Gurappa Chetty, Harinath N.  (Kalamkari); Baua Devi, Ajit Kumar Jha, Chandrakala Devi, Avinash Karn, Shalini Karn (Madhubani); Sanjay Manubhai Chitara (Mata-ni-Pachedi); Karan Pichwai, Manish Soni & group, Karan Singh Rajput (Pichwai);  Prasanth A.V. (Theyyam mask); and Amit Mahadev Dombhare, Sunil Khadpada, Sarita Suresh Banjara (Warli)

Curator: Meena Varma

The folk art and handicrafts of India are as diverse as the culture of the subcontinent. The Indian way of life is replete with products created with the aid of simple, indigenous tools by craftspeople who belong within a strong fabric of tradition, aesthetic and artistry. Each state has an abundance of traditional forms of art and crafts that have been passed on from one generation to the next and helped them sustain a living - Madhubani in Bihar, Kalamkari in Andhra Pradesh, Mata ni pachedi in Gujarat, Warli painting in Maharashtra, and Kalighat paintings and scrolls from West Bengal, to name a few.

While some artisans have adhered to age-old techniques and ideas, others have attempted to adapt to the changing times by imbibing contemporary themes and language. They derive their inspiration, innate wisdom, and skill not from books but from nature and their surroundings. Their art reflects the immense creativity of ordinary people and their quest for self-expression and fulfillment. These traditions that have continued undisturbed over the centuries have had to face the realities of rapid change brought about the inexorable forces of communication and globalization. However, India is still very creative in its villages, with the youth exposed to the art of making and transforming materials and spaces by the act of creation on a daily basis. Wall paintings and decorations are an everyday art in many parts of the country and each uses fascinating local variants to tell beautiful stories or to capture symbols of fertility and good will. Over time, folk and tribal art and craft has become an effective vehicle for self-development and for sustainable employment generation for much of our population living in difficult economic conditions. 

However, over the last decade, it is heartening to see renewed interest in our traditional art practices by art lovers, resulting in increased patronage for our gifted artists, thereby giving them the economic sustainability to continue with their art. It is in these art traditions that the spirit of India resides.

The South China Sea: Geopolitics

11 December 2020, 04:00 pm
The South China Sea: Geopolitics
Programme Type
Discussions, Webcasts

Panelists: Admiral H.C.S. Bisht, PVSM, AVSM, former Flag Officer; Commander-in-Chief, Eastern Naval Command and former Director General, Indian Coast Guard; presently Administrative Member, Armed Forces Tribunal, Chandigarh; and Commodore R. Seshadrivasan, Director, Chennai Center of China Studies, and Regional Director, National Maritime Foundation, Chennai Chapter

Chair: Amb. K.P. Fabian, Professor, Indian Society of International Law; Distinguished Fellow, Symbiosis University  

The South China Sea (SCS) located in the Western Pacific Ocean with an area of 3.5 million sq. kms is one of the most important economic and environmental regions in the world. SCS also contains some of the world’s most important shipping lanes and is the site of inter-state disputes primarily because People’s Republic of China (PRC), although a signatory to UNCLOS (United Nations Convention on the Law of the Seas), has violated its provisions in many ways. China is only one of the littoral states, along with Indonesia, Philippines, Vietnam, Malaysia, Brunei, and Taiwan. Since a rule-based order is of utmost importance for humanity, India, United States, Australia, Japan, United Kingdom, France, and Germany, have insisted that PRC should abide by the UNCLOS. 
    
 

FILM

07 December 2020, 12:00 am
FILM

And then there were none (USA) | (97 min; 1945; b/w; English)

Director: René Clair

With Barry Fitzgerald, Walter Houston, Louis Heyward

Recipient of the Golden Leopard Award for Best Film and Award for Best Direction, Locarno International Film Festival 1946
Film adaptation of Agatha Christie’s bestselling 1939 mystery novel of the same name. Seven guests, a newly hired personal secretary and two staff are gathered for a weekend on an isolated island by the hosts, the Owens, who are delayed. At dinner, a record is played and the host's message alleges that all of the people present are guilty of murder, and suddenly the first of them is dead, then the next. It seems that one of them is the murderer