PHYSICAL PROGRAMME

AT 10:00 IN THE MULTIPURPOSE HALL
 

National Seminar: Assessing Classical Group Choreography: Past, Present and Future
Participants: Ms Madhavi Mudgal; Dr. Shama Bhate; Dr. Anita Ratnam; Smt Vanashree Rao; and Shri Sanjeev Bhargava

Moderator: Smt Geeta Chandran

AT 16:00 IN THE MULTIPURPOSE HALL
 

Narthaki.com@30
To mark 30 years of Narthaki, screening of a film and dialogue with Dr. Anita Ratnam

AT 18:30 IN THE AUDITORIUM
Odissi Recital
By Lipsa Satpathy

Followed by 
Kathak Recital
By Abhimanyu Lal

PHYSICAL PROGRAMME

Organised in collaboration with Natya Vriksha

FROM 10:00 TO 13:00 IN MULTIPURPOSE HALL
 

Koodiyattam Workshop
Conducted by Kalamandalam Dr. Krishnendu

(Collaboration: International Centre for Kathakali)

AT 18:30 IN THE AUDITORIUM
 

Koodiyattam
By Kalamadalam Dr. Krishnendu

Followed by
Bharatanatyam Recital
By Sowmya Laxmi Narayanan
 

PHYSICAL PROGRAMME

Bindu: Space and Time in Raza’s Vision
Discussion on the book written by Geeti Sen

Panelists: Prof. Ashis Nandy, political psychologist, social theorist, and critic; Shri Akhilesh, well-known artist, curator, and writer; and Dr. Geeti Sen, cultural historian, art critic, and author of the book
Chair: Shri Ashok Vajpeyi

(Collaboration: The Raza Foundation)

PHYSICAL PROGRAMME

A personal archive of Tibetan Resistance (1957-1974)
A project by Ritu Sarin and Tenzing Sonam in collaboration with Natasha Ginwala

The exhibition re-evaluates the audiovisual material that Ritu Sarin and Tenzing Sonam have gathered over the years by weaving in Lhamo Tsering’s personal archives, and presenting a re-mastered version of their documentary, to create a more complete and complex mosaic of this largely obscure story.

On view are archival photographs, letters and documents, maps and video installations

Preview on Wednesday, 20 April 2022 at 18:00

As part of this exhibition there will be several related programmes:

On 21 April 2022 at 18:30 in C.D. Deshmukh Auditorium
The Sweet Requiem (Kyoyang Ngarmo/India/USA)

(91 min; 2018; Tibetan with English subtitles)
A film by Ritu Sarin and Tenzing Sonam who will be present for the screening

Recipient of the NETPAC Award for Best Film, Kolkata International Film Festival 2018

At the age of eight, Dolkar fled her home with her father to escape Chinese armed forces, and faced an arduous journey across the Himalayas. Now 26, she lives in a Tibetan refugee colony in Delhi, where an unexpected encounter with a man from her past awakens long-suppressed memories, propelling Dolkar on an obsessive search for the truth.

On 23 April 2022 at 17:30: Gallery Walk-through
With Ritu Sarin and Tenzing Sonam

On 26 April 2022 at 18:30 in the Art Gallery
In Conversation
Ritu Sarin and Tenzing Sonam in conversation Latika Gupta

On 30 April 2022 at 18:30 in Seminar Rooms I – III
Walking the Himalayas
An illustrated talk by poet and activist Tenzin Tsundue about his recent walk across the Himalayas, from Ladakh to Arunachal Pradesh

(Collaboration: White Crane Films; with support from the International Campaign for Tibet)

PHYSICAL PROGRAMME

FILMS ON ARTISTS – DANCE ENGAGEMENTS

Two films on dance by Sandhya Kumar
The films will be introduced by Justin McCarthy, well-known Bharatanatyam dancer and Guru

The filmmaker Sandhya Kumar and  dancer-musician Justin McCarthy will initiate a discussion after the screenings

Light Falling on White Flowers (India)
(14 min; 2009; English)

Many years ago, a young girl was born with one dream – to trace back the sacred root of dance and restore it to the highest place in the arts. Isadora Duncan came to invent the ‘Modern Dance’. Where dwells this poetic spirit today.

O Friend, This Waiting! (India)
(32 min; 2012; Telugu & English with subtitles)

Could a song be full of love, and yet banal and trifling? Such were the padams of Kshetrayya. A wandering poet-musicians, Kshetrayya wrote for devadasis, the dancing courtesans at the courts of the 17th century Nayaka kings. His padams became the most cherished of her songs of love. O Friend, This Waiting! Reflects on the entwined fortunes of the padams and the women they were written for, from the 17th to the 20th century, while dwelling in the performance spaces of temples and courts of the Nayaka period.

Screening will be followed by a discussion with Justin McCarthy and Sandhya Kumar 
 

PHYSICAL PROGRAMME

A covert mission of illustrations on Delhi
By Ankur Ahuja 

Preview on Tuesday, 19 April 2022 at 18:30

Delhi is not exactly a flanêur’s delight. Between the renegade cows, stray dogs and rambunctious truck drivers it can be quite difficult to marvel at the sights and sounds that Delhi offers. Romantic meandering is often reduced to dodging the Tetris like traffic. It’s way easier to hate Delhi than like it, let alone be devoted to it. The rudeness, the lack of grace, the wanton abuses flinging at you from unexpected quarters, administrative apathy, lack of empathy… the list can go on. Yet, if you start paying attention to the particulars, the minutiae of daily life, you discover a wealth of cultural representations, casually holding their own against the monochromatic uniformity that disguises as urbanization.

This exhibition is an investigation of the city, represented by its unremarkable common inhabitant in a daily transaction with the city’s seasons and moods in its public spaces. It is also a comment on the unique form of isolation that only crowded cities radiate, where strangers communicate in wordless glances- awkward, flirtatious, suspicious, threatening- while the drama of daily life plays out around us. 

Ankur Ahuja

Delhi based cinematographer, Ankur Ahuja is a self-taught artist. A visual documentarian at heart, her current work is informed by her troubled and tense relationship with Delhi and her identity as a second-generation Partition Punjabi. She has been published as a writer and artist in the Graphic Anthology ‘Neither Here Nor There: Restorying Partition’. She also helped establish the Delhi Comic Arts Festival as the Manager of the festival that brings together artists working with graphic novelists around the world together under one roof for exhibitions, talks, and interactions.

She has been part of several group shows. This is her second solo exhibition.

PHYSICAL PROGRAMME

Tales of an Explorer – Five Decades of Adventure Travel, Expeditions and Environmental Concerns Across 7 Continents
Illustrated lecture by Shri Mandip Singh Soin

Chair: Amb. Manjeev Singh Puri, former Indian Ambassador to Nepal and Distinguished Fellow, Earth Science and Climate Change, The Energy Resources Institute (TERI) 

Mandip Singh Soin, well-known explorer, mountaineer, environmentalist and adventure travel professional will reflect back on five decades of adventure, expeditions and eco concerns across 7 continents.  His journeys range from climbs and treks in the Himalayas to the Arctic, camels across the Thar to mapping ecotourism in the Andamans, from Madagascar, Peru, Costa Rica, Antarctica and beyond. 
 

Satyajit Ray and the music he lived by

Illustrated lecture by Biswajit Mitra, senior IT professional living and working in Munich, Germany

Chair: Dr. Partho Datta, Professor, School of Arts & Aesthetics, Jawaharlal Nehru University 

The talk will explore Ray’s world of music, the music he grew up with. The music he loved, lived and the music he consumed, digested and internalised to create an uniquely distinctive brand of background score for his own films and for a handful of films by a few others.

This lecture is part of the ongoing series of programmes to celebrate the centenary year of Satyajit Ray, legendary filmmaker, writer, illustrator and music composer

Japan’s Surrender in 1945 and the Remaking of Asia

Speaker: Prof. Hans van de Ven, Professor of Modern Chinese History, Cambridge University

Chair: Prof. Sreemati Chakrabarti, Chairperson and Honorary Fellow, Institute of Chinese Studies

Moderator: Prof. Madhavi Thampi, Honorary Fellow, Institute of Chinese Studies

Japan accepted the allied demand for unconditional surrender on 15 August 1945. Rather than focusing on just Japan and the USA or seeing Japan’s surrender as the definite end of the Second World War, Prof. Hans van de Ven examines the complex politics of surrender as various parties in China, Indonesia, and India negotiated this crucial event.  He will argue that while the surrenders signified the definite end of European imperialism, it also saw the beginning of struggles for dominance of forces in each country that had grown strong and had begun to compete with each other during the Second World War in each of these three countries

(Collaboration: Institute of Chinese Studies)

Invitation Link: 
https://icsin.org/newsletter/show/vp-dutt-memorial-lecture-japans-surrender-in-1945-and-the-remaking-of-asia-20th-april-500-pm-ist-zoom-webinar 

Registration link

 

An ikebana demonstration in glass containers by Ms Makiko Morange, master of the Sogetsu School of Ikebana

Introduction: Smt. Veena Dass, Director, Sogetsu School, New Delhi

Glass containers are rarely used in Ikebana as the fixation can be seen through the glass so kenzans (flower holders with spikes) nor cross bar fixings are normally used. The glass containers that Ms Morange will use at her demonstration have been specially designed. She will be joined during the demonstration by Mr. Tomio Kurata, Manager of the glass factory where the vases are made, will explain the procedure.

(Collaboration: Sogetsu School, New Delhi; and Embassy of Japan)

Zoom Link:
https://us06web.zoom.us/j/89834418065?pwd=ZVFxR083bnBGaDYydEhjV3F0c1NEd…
Meeting ID: 898 3441 8065 
Passcode: Sogetsu