(84 min; 2018; French with English subtitles)
Directors: Gorav Kalyan, Rohan Kalyan

Nietzsche wrote that all philosophy is a biography of the philosopher. The life of Alain Badiou suggests that the reverse is also true. The first feature length film on France's most famous living philosopher.

Two Banks of a River – The Indus in Ladakh
Illustrated lecture by Isaac Tsetan Gergan, artist, photographer and Director, Art for Change Foundation, based in Leh and Delhi
 
Following the lecture, Isaac will be in conversation with Kishalay Bhattacharjee, Professor and Executive Dean, Director, Jindal School of Journalism and Communication, O.P. Jindal Global University, Sonipat
 
A series of talks and dialogues that hope to challenge the imagination of the “mainstream”. The river conversations is critical to re-evaluate histories, reconnecting civilisations, cultures and peoples, ideas and regions and opening streams of thought for a future with exciting possibilities
 
(Collaboration: Living Waters Museum; and New Imaginations, Jindal School of Journalism and Communication, O.P. Jindal Global University)

 

Ikebana lecture and demonstration by Ms Ursula Altenbach, artist and Ikebana teacher from Gersau, Switzerland
 
Introduction: Smt Veena Dass, Director, Sogetsu School of Ikebana
 
(Collaboration: Sogetsu School of Ikebana, New Delhi)
 
Zoom Meeting link: 
https://us06web.zoom.us/j/82198460056?pwd=OWxnOGJrQ3F5VDIzUzFuT3J5NDZwU…;
Meeting ID: 821 9846 0056 
Password: Sogetsu

Amader Shantiniketan
By Shivani, translated by Ira Pande (Vintage Books, New Delhi: 2021)
 
Discussants: Prof. Radha Chakravarty, poet, critic and translator; Prof. Sanjukta Dasgupta, academic, poet and Convenor, Intercultural Poetry and Performance Library, ICCR, Kolkata; and Smt Ira Pande, freelance writer and translator of the book
 
Chair: Prof. Pushpesh Pant, academic, food critic and historian
 
This charming memoir is a loving homage to a grand institution and its legendary gurus. Written from the perspective of a child and a young girl, it retains the freshness and innocence of an age when experimental education was not merely a trendy movement
 

Panelists: Prof. Achin Vanaik, formerly Professor of International Relations and Global Politics, University of Delhi; Dr. Stanly Johny, International Affairs Editor, The Hindu; and Prof. Imankalyan Lahiri, Dept. of International Relations, Jadavpur University

Chair: Amb. K.P. Fabian

With West Asia, a virtual tinderbox, if the powers in the region cannot exercise restraint, there is a definite risk of a war with disastrous consequences, not only for the region, but also for the rest of the world. The discussion will examine what President Joe Biden can do to promote reconciliation between Israel and Iran, and between Iran and Saudi Arabia; and to bring about a cease-fire in Yemen. Will Biden re-enter the Iran nuclear deal as he had promised as a candidate? What are the implications of Benjamin Netanyahu’s exit and the arrival of the new president in Iran?

Kalidasa: Vikramorvashiyam - Quest for Urvashi  
Translated by A.N.D. Haksar (Penguin Classics, New Delhi: 2021)

Discussants: Dr. Sudhamahi Regunathan, former Vice Chancellor, Jain Vishva Bharati University, Ladnun, Rajasthan; Amb. Amarendra Khatua, former Secretary, Ministry of External Affairs and former Director General, Indian Council for Cultural Relations; Amb. Bhaswati Mukherjee, former Indian Ambassador to The Netherlands; Amb. A.N.D. Haksar, former diplomat and translator of the book                          

Moderator: Shri Sunit Tandon, Director, India Habitat Centre

(91 min; 1964; French with English subtitles)
Director: Jacques Demy

Recipient of the Palme d’Or, OCIC Award & Technical Grand Prix, Cannes Film Festival 1964; Critics Award for Best Film, French Syndicate of Cinema Critics 1965; and Winner of the Prix Louis Delluc Award 1965

The film that helped launch Catherine Deneuve to international stardom, the wonderful The Umbrellas Of Cherbourg has a slender story: a pregnant shopgirl Geneviève (Deneuve) is separated from her mechanic lover Guy (Castelnuovo), when the latter is drafted into military service during the Algerian war. But director Demy conjures up a work of sheer cinematic delight, transforming the dreary port of Cherbourg into a pastel-coloured fairytale world, in which every line of dialogue is sung to Michel Legrand's memorable score.

The magic here lies in the fluid choreography of the actors, in the elegance of Jean Rabier's camerawork and in Bernard Evein's ravishing production design, which combine to invest everyday settings such as an umbrella shop or an Esso garage with romantic yearning. Deneuve is luminously beautiful throughout, looking fabulously chic even in a maternity dress, whilst Demy himself pops up in a cameo asking for directions to the paint shop in a film awash in primary colours.

Divided into three sections - departure, absence, return - The Umbrellas Of Cherbourg deals with so-called 'ordinary' characters, who have experienced the pain of lost love. This includes not just the two leads, but also Geneviève's mother (Vernon) and the diamond dealer Roland (Michel), who appeared in a younger guise in Demy's earlier film Lola. And unlike most Hollywood musicals, there's no conventionally uplifting resolution, more a bitter-sweet acceptance of happiness' transience and fate's unexpected workings.